Lingue

La région, qui fait partie du Massif Armoricain, a un ancien relief, avec des formations de granits et morphologiquement il se présente comme une pénéplaine légèrement ondulée.
Les côtes sont articulées et elles forment de profondes anses en correspondance des écoulements de fleuves. Elles sont spectaculaires avec leurs falaises rouges, roses, grise

Trama:
l’opera comincia con un’introduzione, una forma narrativa in cui Cristopher Sly, l’ubriacone ambulante che viene raccolto da un Lord, riccamente vestito, che gli fa credere di essere stato addormentato per anni. Sly e un paggio si siedono a vedere una rappresentazione di attori girovaghi dal titolo “La bisbetica domata”. Dopo la prima scena

Text1:
- (What difficulties...?) He finds some difficult in finding the right way and avoiding hidden bends and reefs.
- The inner truth means the reality of stillness of an implacable force
- The narrator uses personification to describe nature
- The scenery is a primeval world where one feels cut off from civilization.
- The

Realism: the events are usually presented in the form of a diary or of an autobiography, related in the first-singular person in order to increase verisimilitude.
There is not a real plot but a sequence of events unrolling, in a chronological order, around the same protagonist.
The setting is represented by the island that is the ideal place f

STILE DI WILDE, JOYCE E JANE AUSTEN.
WILDE :AS REGARD THE PICTURE OF DORIAN GRAY IT CAN BE READ AS A LATE OFFSPRING OF THE GOTHIC NOVEL BECAUSE OF ITS SUPERNATURAL PLOT: IN FACT THE SUSPENCE IN THE READER, THE SENSE OF MISTERY AND THE UNSPEAKABLE CRIMES UNRESOLVED REMIND US OF THE GOTHIC NOVEL. INSTEAD IN THE IMPORTANCE OF BEING EARNEST THE LANGU

The plot is no longer based on a simple sequence of events, as in Defoe, or on a single story, as in Richardson, but presents a well built combination of episodies, structured and organized in an organic unity.
Characters: unlike Richardson, Fielding is much more interested in society than in the single characters and all his novels offer a realist

Tecniques: Pride and Prejudice is narrated by a third person omniscient narrator, even if the narrator often identifies with Elizabeth’s point of view or he shares the point of view of the people of the village like in the scene of the ball.
The settings of episodes are often house interiors or a domestic outdoor spaces like parks or gardens and th

3 The hero’s successive actions finally lead him towards catastrophe, but suffering he achieves selfrecognition, that makes him capable of facing his destiny with courage.
4 Tragic action can be reinforced or enriched by such elements such as: the supernatural ( the witches in Macbeth and the ghost in Hamlet ) and the chance or accident ( the pestil

All these elements of novelty give to his novel the character of anti-novel. In particular the title which read Life and Opinions and not Life and Adventures as the convention dictated. The novel in fact does not deal with the adventures and events of Tristram Shandy’s life but with his mental life. And everything which is narrated in the novel is dist

But what makes Sterne great is the subtle humour, the irony and the smile which emerge from his pages. He gives the reader a picture of what man can be when he is free from conventions and can give vent to his instincts, sentiments and feelings.
Style: Sterne uses the first person narrator, through which he describes what the characters feel and th