Samuel Coleridge

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Samuel Coleridge: the man and the poet
Samuel Taylor Coleridge was born in Devon in 1772. His father, a clergyman, moved his family to London when Coleridge was young, and it was there that Coleridge attended school. He later attended Cambridge but left without completing his studies. During the politically charged atmosphere of the late eighteenth century--the French Revolution had sent shockwaves through Europe, and England and France were at war--Coleridge made a name for himself both as a political radical and as an important young poet; along with his friends Robert Southey and William Wordsworth, he became one of the most important writers in England. Collaborating with Wordsworth on the revolutionary Lyrical Ballads of 1798, Coleridge helped to inaugurate the Romantic era in England; as Wordsworth explained it in the 1802 preface to the third edition of the work, the idea of poetry underlying Lyrical Ballads turned the established conventions of poetry upside down: Privileging natural speech over poetic ornament, simply stated themes over elaborate symbolism, emotion over abstract thought, and the experience of natural beauty over urban sophistication, the book paved the way for two generations of poets, and stands as one of the milestones of European literature.
Insofar as Wordsworth was the poet of nature, the purity of childhood, and memory, Coleridge became the poet of imagination, exploring the relationships between nature and the mind as it exists as a separate entity. Poems such as "The Rime of the Ancient Mariner" and "Kubla Khan" demonstrate Coleridge's talent for concocting bizarre, unsettling stories full of fantastic imagery and magic; in poems such as "Frost at Midnight" and "Dejection: An Ode," he muses explicitly on the nature of the mind as it interacts with the creative source of nature.
Coleridge married in 1795 and spent much of the next decade living near and traveling with Wordsworth and his sister Dorothy. During the years he lived with Gillman, Coleridge composed many of his important non-fiction works, including the highly regarded Biographia Literaria. However, although he continued to write until his death in 1834, Romanticism was always a movement about youth, and today Coleridge is remembered primarily for the poems he wrote while still in his twenties.

The Killing of the Albatross
“The Rime of the Ancient Mariner” is unique among Coleridge’s important works - unique in its intentionally archaic language, its length, its bizarre moral narrative, its strange scholarly notes printed in small type in the margins, its thematic ambiguity, and the long Latin epigraph that begins it, concerning the multitude of unclassifiable “invisible creatures” that inhabit the world. Its peculiarities make it quite atypical of its era; it has little in common with other Romantic works.
Three young men are walking together to a wedding, when one of them is detained by a grizzled old sailor. The young Wedding-Guest angrily demands that the Mariner let go of him, and the Mariner obeys. But the young man is transfixed by the ancient Mariner's “glittering eye” and can do nothing but sit on a stone and listen to his strange tale. The Mariner says that he sailed on a ship out of his native harbour-”below the kirk, below the hill, / Below the lighthouse top”--and into a sunny and cheerful sea. Hearing bassoon music drifting from the direction of the wedding, the Wedding-Guest imagines that the bride has entered the hall, but he is still helpless to tear himself from the Mariner's story. The Mariner recalls that the voyage quickly darkened, as a giant storm rose up in the sea and chased the ship southward. Quickly, the ship came to a frigid land “of mist and snow,” where “ice, mast-high, came floating by”; the ship was hemmed inside this maze of ice. But then the sailors encountered an Albatross, a great sea bird. As it flew around the ship, the ice cracked and split, and a wind from the south propelled the ship out of the frigid regions, into a foggy stretch of water. The Albatross followed behind it, a symbol of good luck to the sailors. A pained look crosses the Mariner's face, and the Wedding-Guest asks him, “Why look’st thou so?” The Mariner confesses that he shot and killed the Albatross with his crossbow.
“The Rime of the Ancient Mariner” is written in loose, short ballad stanzas usually either four or six lines long. The meter is also somewhat loose, but odd lines are generally tetrameter, while even lines are generally trimester. The rhymes generally alternate in an ABAB or ABABAB scheme.